ABSTRACT
The present experience report, written by several hands, is the result of a process of sociocultural and artistic coexistence that has reflected and debated an Amazonian caboche identity. Having as a reference place the city of Braganca-PA, Atlantic Amazon, it was the work with different artistic languages, especially a performance, that gained prominence. Immersed in the pandemic context of covid-19, we collectively mobilized to think about the Corredora Caboketyka project. Contemplated by the Aldir Blanc Para Law, a proposal gained bodies and life in which different Amazonian subjects who identify themselves as cabokas, were able to collaboratively express and build the process that had as main objective to debate this Amazonian subjectivity within the scope of gender / sexualities, especially like transvestite cabokas.